Catch Marion Barbeau with Paris Opera Ballet at Esplanade – Theatres on the Bay 21-23 June.
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Blunt Knife review: the audience takes the role of judge and prosecutor
Kai never skated again until Blunt Knife became a performance where the audience takes the role of judge and prosecutor. Isn’t it wonderful when performances make you think about your values on the spot?
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Crowd by Gisèle Vienne the party is not over, review
A party is a ritual. A gathering point around which new relationships might build or fall apart, when one might experience near-religious euphoria or deep existential angst.
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Körper gives no slick answers for how we might return to the humane – review
Even as Körper’s stage imagery suggests that each body shares in its corporeality, its mortality — even as dancers entwine seamlessly — there are no slick answers for how we might return to the humane, to building connected, undivided communities.
Complexnya is one of the rare site-sensitive performances that reach people like the elderly in Chinatown – many of whom are not the typical art-goer.
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An entirely personal take on ST/LL: this writer has no chill
Does it belong to Newton? Adam and Eve? Does Shiro Takatani want me to care?