Bernice Lee

I had the chance to meet and chat with Eisa Jocson in person — she was in Singapore creating and rehearsing an…

I got to have a chat with Pichet Klunchun over Skype one Friday afternoon, prior to his upcoming performance at The Esplanade.…

In Your Shadow reveals two tall women taking the stage, each alone, then together. Carried along by Bani Haykal’s serenely evocative music,…

William Forsythe of the 80s and 90s seemed to pull apart the body and wreak havoc on the ballet stage, and at his age and in this time, he seems to seek a mellower pastel hue, an institutionalised order perfectly exemplified in the Paris Opera itself.

A party is a ritual. A gathering point around which new relationships might build or fall apart, when one might experience near-religious euphoria or deep existential angst.

Even as Körper’s stage imagery suggests that each body shares in its corporeality, its mortality — even as dancers entwine seamlessly — there are no slick answers for how we might return to the humane, to building connected, undivided communities.