About
Mission and Business
Dance Classes
Creative Dance Residencies
Choreographer’s spotlight
Contemporary Dance Singapore
Top Posts
Dance @ Dusk 2022: Children’s reviews
Open Stage 2022: The body’s proof of work...
Off Stage 2022: Works brewing in Singapore’s choreoscape
Imago, on the Singapore Fringe
In Good Company: the world ahead
Forces of Dance – Tampering with Expectations
Review: Co.Lab.Asians – M1 Contact Contemporary Dance Festival...
Brand new ways to dance off the old...
Five’s Company: Interviews for “In Good Company” at...
InterBeing: Expressions of the Present
About
Mission and Business
Dance Classes
Creative Dance Residencies
Choreographer’s spotlight
Contemporary Dance Singapore
Dance @ Dusk 2022: Children’s reviews
FiveLines
August 26, 2022
Off Stage 2022: Works brewing in Singapore’s choreoscape
Tan Qiao Lin
August 26, 2022
Imago, on the Singapore Fringe
Bernice Lee
March 19, 2022
William Forsythe won the heart of popular...
Crystal Pite empowers dancers to be co-creators
Aurélie Dupont: ‘Contemporary dance is not in...
Crowd by Gisèle Vienne the party is not...
Contemporary Dance Singapore
Dance @ Dusk 2022: Children’s reviews
FiveLines
Open Stage 2022: The body’s proof of work done
Tan Qiao Lin
Off Stage 2022: Works brewing in Singapore’s choreoscape
Tan Qiao Lin
Imago, on the Singapore Fringe
Bernice Lee
In Good Company: the world ahead
Kwek Yi Xuan
Forces of Dance – Tampering with Expectations
Valerie Lim
Review: Co.Lab.Asians – M1 Contact Contemporary Dance Festival 2021
Jocelyn Chng
Brand new ways to dance off the old – with da:ns festival 2021
Akanksha Raja
Choreographer's spotlight
Reut Shemesh ‘my country is a rather special place’ interview
Ezekiel Oliveira
Aditi Mangaldas interview ‘Do I love dance or do I love Kathak?’
Ezekiel Oliveira
Hofesh Shechter: ‘My work comes from the gut, from the heart’
Ezekiel Oliveira
Pichet Klunchun ‘I’m jealous of Cunningham and Graham’ – interview
Bernice Lee
Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions
Ezekiel Oliveira
Rianto – catapulted to the world stage
Ezekiel Oliveira
Sol León and Paul Lightfoot -‘it’s vital to have freedom’
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
Critical thinking
Dance @ Dusk 2022: Children’s reviews
FiveLines
Ruminating on Chinta Cinta: Ruminations on Love
Kwek Yi Xuan
i am not here – battling a legion of demons
Ranjini Ganapathy
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’
Ezekiel Oliveira
classical indian dance
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Amara – A Preview: Sculpting Intimacy in a Digital Landscape
Ranjini Ganapathy
Jocelyn Chng sits down for a chat with Raka Maitra, Sandhya Suresh and Caroline Chin, of Chowk Productions
Jocelyn Chng
Marabu – The First Ripple: ‘a unique story’, review
Ke Xin Neo
Inter_rupted by Aditi Mangaldas Dance Company — Review
Teo Dawn
ballet
Acosta Danza review: a stunning rite of passage
Stephanie Burridge
Marion Barbeau – Premier danseur Q&A
Ezekiel Oliveira
Crystal Pite empowers dancers to be co-creators
Bernice Lee
Jerome Robbins – a creative giant of his times
Bernice Lee
Paris Opera Ballet: nuances of the French ballet tradition
Bernice Lee
Contemporary Ballet: old steps, new journeys
Chan Sze Wei
Impressing the Czar is a seminal piece of dance – review
Bernice Lee
William Forsythe won the heart of popular imagination
Bernice Lee
Theatre
Phantom of the Opera, a classic yet current Lloyd Webber musical – review
Joseph McWilliams
Yesterday it rained salt – review
Ezekiel Oliveira
Kinky Boots an uplifting camp extravaganza – review
Ezekiel Oliveira
The Lion King, a sense of heart-warming nostalgia like no other – review
Joseph McWilliams
“Forked”: Jeanette doesn’t do Asian
Ezekiel Oliveira
“Attempts: Singapore”: Curtains Don’t Match the Drapes
Ezekiel Oliveira
“The Neighbor’s Grief is Greener”: A Dark Domesticity
Ezekiel Oliveira
Skin Tight, I left the Theatre unsure of myself – Review
Bernice Lee