About
Ezekiel Oliveira
Mission and Business
Dance Classes
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
Top Posts
SIDES: A close-up look at sentiment and trauma
Pallavi through Abstraction, where it belongs
Snow Whitening Revisited – A Review
i am not here – battling a legion...
SITA – A Work Of Epic Proportions
Sita – Preview: Sensing Sita through Shadow and...
Amara – Digital storytelling at its dynamic best
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Amara – A Preview: Sculpting Intimacy in a...
Jocelyn Chng sits down for a chat with...
About
Ezekiel Oliveira
Mission and Business
Dance Classes
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
i am not here – battling a legion of demons
Ranjini Ganapathy
February 11, 2021
SITA – A Work Of Epic Proportions
Jocelyn Chng
December 24, 2020
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
December 15, 2020
Crystal Pite empowers dancers to be co-creators
William Forsythe won the heart of popular...
Aurélie Dupont: ‘Contemporary dance is not in...
Crowd by Gisèle Vienne the party is not...
Contemporary Dance Singapore
SIDES: A close-up look at sentiment and trauma
Valerie Lim
Pallavi through Abstraction, where it belongs
Jocelyn Chng
Snow Whitening Revisited – A Review
Valerie Lim
i am not here – battling a legion of demons
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Jocelyn Chng sits down for a chat with Raka Maitra, Sandhya Suresh and Caroline Chin, of Chowk Productions
Jocelyn Chng
Dancing on Zoom with Purⓔ《纯ⓔ》: An Experimental Virtual Performance
Teo Dawn
Choreographer's spotlight
Reut Shemesh ‘my country is a rather special place’ interview
Ezekiel Oliveira
Aditi Mangaldas interview ‘Do I love dance or do I love Kathak?’
Ezekiel Oliveira
Hofesh Shechter: ‘My work comes from the gut, from the heart’
Ezekiel Oliveira
Pichet Klunchun ‘I’m jealous of Cunningham and Graham’ – interview
Bernice Lee
Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions
Ezekiel Oliveira
Rianto – catapulted to the world stage
Ezekiel Oliveira
Sol León and Paul Lightfoot -‘it’s vital to have freedom’
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
Critical thinking
i am not here – battling a legion of demons
Ranjini Ganapathy
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’
Ezekiel Oliveira
Aaron Watkin – Dresden Semperoper Ballett
Ezekiel Oliveira
Q&A (the 36 questions) with Rachel Erdos – interview
Ezekiel Oliveira
classical indian dance
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Amara – A Preview: Sculpting Intimacy in a Digital Landscape
Ranjini Ganapathy
Jocelyn Chng sits down for a chat with Raka Maitra, Sandhya Suresh and Caroline Chin, of Chowk Productions
Jocelyn Chng
Marabu – The First Ripple: ‘a unique story’, review
Ke Xin Neo
Inter_rupted by Aditi Mangaldas Dance Company — Review
Teo Dawn
ballet
Acosta Danza review: a stunning rite of passage
Stephanie Burridge
Marion Barbeau – Premier danseur Q&A
Ezekiel Oliveira
Crystal Pite empowers dancers to be co-creators
Bernice Lee
Jerome Robbins – a creative giant of his times
Bernice Lee
Paris Opera Ballet: nuances of the French ballet tradition
Bernice Lee
Contemporary Ballet: old steps, new journeys
Chan Sze Wei
Impressing the Czar is a seminal piece of dance – review
Bernice Lee
William Forsythe won the heart of popular imagination
Bernice Lee
Theatre
Phantom of the Opera, a classic yet current Lloyd Webber musical – review
Joseph McWilliams
Yesterday it rained salt – review
Ezekiel Oliveira
Kinky Boots an uplifting camp extravaganza – review
Ezekiel Oliveira
The Lion King, a sense of heart-warming nostalgia like no other – review
Joseph McWilliams
“Forked”: Jeanette doesn’t do Asian
Ezekiel Oliveira
“Attempts: Singapore”: Curtains Don’t Match the Drapes
Ezekiel Oliveira
“The Neighbor’s Grief is Greener”: A Dark Domesticity
Ezekiel Oliveira
Skin Tight, I left the Theatre unsure of myself – Review
Bernice Lee