About
Mission and Business
Dance Classes
Creative Dance Residencies
Choreographer’s spotlight
Contemporary Dance Singapore
Top Posts
Dance @ Dusk 2022: Children’s reviews
Open Stage 2022: The body’s proof of work...
Off Stage 2022: Works brewing in Singapore’s choreoscape
Imago, on the Singapore Fringe
In Good Company: the world ahead
Forces of Dance – Tampering with Expectations
Review: Co.Lab.Asians – M1 Contact Contemporary Dance Festival...
Brand new ways to dance off the old...
Five’s Company: Interviews for “In Good Company” at...
InterBeing: Expressions of the Present
About
Mission and Business
Dance Classes
Creative Dance Residencies
Choreographer’s spotlight
Contemporary Dance Singapore
Dance @ Dusk 2022: Children’s reviews
FiveLines
August 26, 2022
Off Stage 2022: Works brewing in Singapore’s choreoscape
Tan Qiao Lin
August 26, 2022
Imago, on the Singapore Fringe
Bernice Lee
March 19, 2022
William Forsythe won the heart of popular...
Aurélie Dupont: ‘Contemporary dance is not in...
Crystal Pite empowers dancers to be co-creators
Crowd by Gisèle Vienne the party is not...
Contemporary Dance Singapore
Dance @ Dusk 2022: Children’s reviews
FiveLines
Open Stage 2022: The body’s proof of work done
Tan Qiao Lin
Off Stage 2022: Works brewing in Singapore’s choreoscape
Tan Qiao Lin
Imago, on the Singapore Fringe
Bernice Lee
In Good Company: the world ahead
Kwek Yi Xuan
Forces of Dance – Tampering with Expectations
Valerie Lim
Review: Co.Lab.Asians – M1 Contact Contemporary Dance Festival 2021
Jocelyn Chng
Brand new ways to dance off the old – with da:ns festival 2021
Akanksha Raja
Choreographer's spotlight
Reut Shemesh ‘my country is a rather special place’ interview
Ezekiel Oliveira
Aditi Mangaldas interview ‘Do I love dance or do I love Kathak?’
Ezekiel Oliveira
Hofesh Shechter: ‘My work comes from the gut, from the heart’
Ezekiel Oliveira
Pichet Klunchun ‘I’m jealous of Cunningham and Graham’ – interview
Bernice Lee
Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions
Ezekiel Oliveira
Rianto – catapulted to the world stage
Ezekiel Oliveira
Sol León and Paul Lightfoot -‘it’s vital to have freedom’
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
Critical thinking
Dance @ Dusk 2022: Children’s reviews
FiveLines
Ruminating on Chinta Cinta: Ruminations on Love
Kwek Yi Xuan
i am not here – battling a legion of demons
Ranjini Ganapathy
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’
Ezekiel Oliveira
classical indian dance
SITA – A Work Of Epic Proportions
Jocelyn Chng
Sita – Preview: Sensing Sita through Shadow and Light
Ranjini Ganapathy
Amara – Digital storytelling at its dynamic best
Ranjini Ganapathy
Pallavi through Abstractions – Solemnity, Peace, and Contemplation
Jocelyn Chng
Amara – A Preview: Sculpting Intimacy in a Digital Landscape
Ranjini Ganapathy
Jocelyn Chng sits down for a chat with Raka Maitra, Sandhya Suresh and Caroline Chin, of Chowk Productions
Jocelyn Chng
Marabu – The First Ripple: ‘a unique story’, review
Ke Xin Neo
Inter_rupted by Aditi Mangaldas Dance Company — Review
Teo Dawn
ballet
Acosta Danza review: a stunning rite of passage
Stephanie Burridge
Marion Barbeau – Premier danseur Q&A
Ezekiel Oliveira
Crystal Pite empowers dancers to be co-creators
Bernice Lee
Jerome Robbins – a creative giant of his times
Bernice Lee
Paris Opera Ballet: nuances of the French ballet tradition
Bernice Lee
Contemporary Ballet: old steps, new journeys
Chan Sze Wei
Impressing the Czar is a seminal piece of dance – review
Bernice Lee
William Forsythe won the heart of popular imagination
Bernice Lee
Theatre
Phantom of the Opera, a classic yet current Lloyd Webber musical – review
Joseph McWilliams
Yesterday it rained salt – review
Ezekiel Oliveira
Kinky Boots an uplifting camp extravaganza – review
Ezekiel Oliveira
The Lion King, a sense of heart-warming nostalgia like no other – review
Joseph McWilliams
“Forked”: Jeanette doesn’t do Asian
Ezekiel Oliveira
“Attempts: Singapore”: Curtains Don’t Match the Drapes
Ezekiel Oliveira
“The Neighbor’s Grief is Greener”: A Dark Domesticity
Ezekiel Oliveira
Skin Tight, I left the Theatre unsure of myself – Review
Bernice Lee