Top Posts

William Forsythe won the heart of popular...

Crystal Pite empowers dancers to be co-creators

Aurélie Dupont: ‘Contemporary dance is not in...

Crowd by Gisèle Vienne the party is not...

Contemporary Dance Singapore

Dance @ Dusk 2022: Children’s reviews

FiveLines

Open Stage 2022: The body’s proof of work done

Tan Qiao Lin

Off Stage 2022: Works brewing in Singapore’s choreoscape

Tan Qiao Lin

Imago, on the Singapore Fringe

Bernice Lee

In Good Company: the world ahead

Kwek Yi Xuan

Forces of Dance – Tampering with Expectations

Valerie Lim

Review: Co.Lab.Asians – M1 Contact Contemporary Dance Festival 2021

Jocelyn Chng

Brand new ways to dance off the old – with da:ns festival 2021

Akanksha Raja

Choreographer's spotlight

Reut Shemesh ‘my country is a rather special place’ interview

Ezekiel Oliveira

Aditi Mangaldas interview ‘Do I love dance or do I love Kathak?’

Ezekiel Oliveira

Hofesh Shechter: ‘My work comes from the gut, from the heart’

Ezekiel Oliveira

Pichet Klunchun ‘I’m jealous of Cunningham and Graham’ – interview

Bernice Lee

Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions

Ezekiel Oliveira

Rianto – catapulted to the world stage

Ezekiel Oliveira

Sol León and Paul Lightfoot -‘it’s vital to have freedom’

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

Critical thinking

Dance @ Dusk 2022: Children’s reviews

FiveLines

Ruminating on Chinta Cinta: Ruminations on Love 

Kwek Yi Xuan

i am not here – battling a legion of demons

Ranjini Ganapathy

SITA – A Work Of Epic Proportions

Jocelyn Chng

Sita – Preview: Sensing Sita through Shadow and Light

Ranjini Ganapathy

Amara – Digital storytelling at its dynamic best

Ranjini Ganapathy

Pallavi through Abstractions – Solemnity, Peace, and Contemplation

Jocelyn Chng

Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’ 

Ezekiel Oliveira

classical indian dance

SITA – A Work Of Epic Proportions

Jocelyn Chng

Sita – Preview: Sensing Sita through Shadow and Light

Ranjini Ganapathy

Amara – Digital storytelling at its dynamic best

Ranjini Ganapathy

Pallavi through Abstractions – Solemnity, Peace, and Contemplation

Jocelyn Chng

Amara – A Preview: Sculpting Intimacy in a Digital Landscape

Ranjini Ganapathy

Jocelyn Chng sits down for a chat with Raka Maitra, Sandhya Suresh and Caroline Chin, of Chowk Productions

Jocelyn Chng

Marabu – The First Ripple: ‘a unique story’, review

Ke Xin Neo

Inter_rupted by Aditi Mangaldas Dance Company — Review

Teo Dawn

ballet

Acosta Danza review: a stunning rite of passage

Stephanie Burridge

Marion Barbeau – Premier danseur Q&A

Ezekiel Oliveira

Crystal Pite empowers dancers to be co-creators

Bernice Lee

Jerome Robbins – a creative giant of his times

Bernice Lee

Paris Opera Ballet: nuances of the French ballet tradition

Bernice Lee

Contemporary Ballet: old steps, new journeys

Chan Sze Wei

Impressing the Czar is a seminal piece of dance – review

Bernice Lee

William Forsythe won the heart of popular imagination

Bernice Lee

Theatre

Phantom of the Opera, a classic yet current Lloyd Webber musical – review

Joseph McWilliams

Yesterday it rained salt – review

Ezekiel Oliveira

Kinky Boots an uplifting camp extravaganza – review

Ezekiel Oliveira

The Lion King, a sense of heart-warming nostalgia like no other – review

Joseph McWilliams

“Forked”: Jeanette doesn’t do Asian

Ezekiel Oliveira

“Attempts: Singapore”: Curtains Don’t Match the Drapes

Ezekiel Oliveira

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Ezekiel Oliveira

Skin Tight, I left the Theatre unsure of myself – Review

Bernice Lee