About
Ezekiel Oliveira
Mission and Business
Dance Classes
5L – Junior Dance (7+)
5L Dance Company (13+)
Dance Lab (adults)
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
Top Posts
Jerome Robbins – a creative giant of his...
Paris Opera Ballet: nuances of the French ballet...
Phantom of the Opera, a classic yet current...
Contemporary Ballet: old steps, new journeys
Gisèle Vienne: Art can be absolutely fascinating to...
Lin Hwai-min bids farewell to his company in...
Cloud Gate Dance Theatre of Taiwan
Cloud Gate – serenity comes with plenty of...
Ula, a wonderful evening of dance – review
M1 Contact Contemporary Dance Festival
About
Ezekiel Oliveira
Mission and Business
Dance Classes
5L – Junior Dance (7+)
5L Dance Company (13+)
Dance Lab (adults)
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
Jerome Robbins – a creative giant of his times
Bernice Lee
May 24, 2019
Paris Opera Ballet: nuances of the French ballet tradition
Bernice Lee
May 20, 2019
Contemporary Ballet: old steps, new journeys
Chan Sze Wei
May 8, 2019
Janis Claxton shattered the glass ceiling with...
OCD LOVE – a tainted picture of...
Sol León and Paul Lightfoot -‘it’s vital...
da:ns festival 2018 NDT1/Akram Khan Company/Rianto.
Contemporary Dance Singapore
Cloud Gate – serenity comes with plenty of struggle
Bernice Lee
M1 Contact Contemporary Dance Festival
Ezekiel Oliveira
Impressing the Czar is a seminal piece of dance – review
Bernice Lee
In the Middle, Somewhat Elevated by William Forsythe
Ezekiel Oliveira
William Forsythe won the heart of popular imagination
Bernice Lee
Albert Tiong plunges into a new work of dance – That Which Cannot Be Divided.
Ezekiel Oliveira
Choreographer's spotlight
Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions
Ezekiel Oliveira
Rianto – catapulted to the world stage
Ezekiel Oliveira
Sol León and Paul Lightfoot -‘it’s vital to have freedom’
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
10 questions with Benjamin Millepied
Ezekiel Oliveira
Choy Ka Fai saves the world from bad choreographers
Ezekiel Oliveira
Critical thinking
Aaron Watkin – Dresden Semperoper Ballett
Ezekiel Oliveira
Q&A (the 36 questions) with Rachel Erdos – interview
Ezekiel Oliveira
Lisbeth Gruwez – interview
Bernice Lee
Echoes of an Epic: A Brief History of the Mahabharata
Bernice Lee
T.H.E Dance Company: Ten Years in Review
Stephanie Burridge
Ching-Ying Chien – Until the Lions
Ezekiel Oliveira
classical indian dance
Ula, a wonderful evening of dance – review
Ezekiel Oliveira
Ula will transport you back in time.
Ezekiel Oliveira
Pallavi with Stillness seductive and intriguing – review
Ezekiel Oliveira
Nritya Tarang – Spirit of Kuchipudi Dance – review
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
Rasanubhava a sanguine quality – review
Bernice Lee
ballet
Jerome Robbins – a creative giant of his times
Bernice Lee
Paris Opera Ballet: nuances of the French ballet tradition
Bernice Lee
Contemporary Ballet: old steps, new journeys
Chan Sze Wei
William Forsythe won the heart of popular imagination
Bernice Lee
Forsythe season – Impressing the Czar and Blake Works I
Bernice Lee
L.A. Dance Project, Graham/Millepied/Peck-review
Ezekiel Oliveira
Theatre
Phantom of the Opera, a classic yet current Lloyd Webber musical – review
Joseph McWilliams
Yesterday it rained salt – review
Ezekiel Oliveira
Kinky Boots an uplifting camp extravaganza – review
Ezekiel Oliveira
The Lion King, a sense of heart-warming nostalgia like no other – review
Joseph McWilliams
“Forked”: Jeanette doesn’t do Asian
Ezekiel Oliveira
“Attempts: Singapore”: Curtains Don’t Match the Drapes
Ezekiel Oliveira
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