Top Posts

Crystal Pite empowers dancers to be co-creators

William Forsythe won the heart of popular...

Aurélie Dupont: ‘Contemporary dance is not in...

Crowd by Gisèle Vienne the party is not...

Contemporary Dance Singapore

da:ns festival 2019: ultimate guide

Ezekiel Oliveira

In Your Shadow presents Sandhya Suresh and Karishma Nair

Ezekiel Oliveira

M1 Open Stage, choreographic talent in intimate spaces: review

Valerie Lim

M1 Open Stage review: intriguing stories told through the body

Isaac Lim

Offstage review: connecting with inner voices

Isaac Lim

Paris Opera Ballet: please come back – review

Bernice Lee

Co.Lab.Asians, exciting show well worth watching – review

Isaac Lim

Blunt Knife review: the audience takes the role of judge and prosecutor

Ezekiel Oliveira

Choreographer's spotlight

Hofesh Shechter: ‘My work comes from the gut, from the heart’

Ezekiel Oliveira

Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions

Ezekiel Oliveira

Rianto – catapulted to the world stage

Ezekiel Oliveira

Sol León and Paul Lightfoot -‘it’s vital to have freedom’

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

10 questions with Benjamin Millepied

Ezekiel Oliveira

Choy Ka Fai saves the world from bad choreographers

Ezekiel Oliveira

Anthea Seah dancing ‘Pure’ was ‘ a surreal feeling.

Ezekiel Oliveira

Critical thinking

Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’ 

Ezekiel Oliveira

Aaron Watkin – Dresden Semperoper Ballett

Ezekiel Oliveira

Q&A (the 36 questions) with Rachel Erdos – interview

Ezekiel Oliveira

Lisbeth Gruwez – interview

Bernice Lee

Echoes of an Epic: A Brief History of the Mahabharata

Bernice Lee

T.H.E Dance Company: Ten Years in Review

Stephanie Burridge

Ching-Ying Chien – Until the Lions

Ezekiel Oliveira

New York City Ballet to L.A. Dance Project – Janie Taylor

Ezekiel Oliveira

classical indian dance

Ula, a wonderful evening of dance – review

Ezekiel Oliveira

Ula will transport you back in time.

Ezekiel Oliveira

Pallavi with Stillness seductive and intriguing – review

Ezekiel Oliveira

Nritya Tarang – Spirit of Kuchipudi Dance – review

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

Rasanubhava a sanguine quality – review

Bernice Lee

Rudram a dance homage to Shiva – review

Ezekiel Oliveira

Pallavi in Time a quintet of elegance – review

Ezekiel Oliveira

ballet

Marion Barbeau – Premier danseur Q&A

Ezekiel Oliveira

Crystal Pite empowers dancers to be co-creators

Bernice Lee

Jerome Robbins – a creative giant of his times

Bernice Lee

Paris Opera Ballet: nuances of the French ballet tradition

Bernice Lee

Contemporary Ballet: old steps, new journeys

Chan Sze Wei

Impressing the Czar is a seminal piece of dance – review

Bernice Lee

William Forsythe won the heart of popular imagination

Bernice Lee

Forsythe season – Impressing the Czar and Blake Works I

Bernice Lee

Theatre

Phantom of the Opera, a classic yet current Lloyd Webber musical – review

Joseph McWilliams

Yesterday it rained salt – review

Ezekiel Oliveira

Kinky Boots an uplifting camp extravaganza – review

Ezekiel Oliveira

The Lion King, a sense of heart-warming nostalgia like no other – review

Joseph McWilliams

“Forked”: Jeanette doesn’t do Asian

Ezekiel Oliveira

“Attempts: Singapore”: Curtains Don’t Match the Drapes

Ezekiel Oliveira

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Ezekiel Oliveira

Skin Tight, I left the Theatre unsure of myself – Review

Bernice Lee