Top Posts

Impressing the Czar is a seminal piece...

William Forsythe won the heart of popular...

Forsythe season – Impressing the Czar and...

Contemporary Ballet: old steps, new journeys

Contemporary Dance Singapore

Blunt Knife review: the audience takes the role of judge and prosecutor

Ezekiel Oliveira

Crowd by Gisèle Vienne the party is not over, review

Bernice Lee

Körper gives no slick answers for how we might return to the humane – review

Bernice Lee

Complexnya, a movement love letter to Singapore – review

Valerie Lim

An entirely personal take on ST/LL: this writer has no chill

Bernice Lee

Paris Opera Ballet: nuances of the French ballet tradition

Bernice Lee

Choreographer's spotlight

Gisèle Vienne: Art can be absolutely fascinating to trigger our emotions

Ezekiel Oliveira

Rianto – catapulted to the world stage

Ezekiel Oliveira

Sol León and Paul Lightfoot -‘it’s vital to have freedom’

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

10 questions with Benjamin Millepied

Ezekiel Oliveira

Choy Ka Fai saves the world from bad choreographers

Ezekiel Oliveira

Critical thinking

Aurélie Dupont: ‘Contemporary dance is not in opposition to classical ballet’ 

Ezekiel Oliveira

Aaron Watkin – Dresden Semperoper Ballett

Ezekiel Oliveira

Q&A (the 36 questions) with Rachel Erdos – interview

Ezekiel Oliveira

Lisbeth Gruwez – interview

Bernice Lee

Echoes of an Epic: A Brief History of the Mahabharata

Bernice Lee

T.H.E Dance Company: Ten Years in Review

Stephanie Burridge

classical indian dance

Ula, a wonderful evening of dance – review

Ezekiel Oliveira

Ula will transport you back in time.

Ezekiel Oliveira

Pallavi with Stillness seductive and intriguing – review

Ezekiel Oliveira

Nritya Tarang – Spirit of Kuchipudi Dance – review

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

Rasanubhava a sanguine quality – review

Bernice Lee

ballet

Marion Barbeau – Premier danseur Q&A

Ezekiel Oliveira

Crystal Pite empowers dancers to be co-creators

Bernice Lee

Jerome Robbins – a creative giant of his times

Bernice Lee

Paris Opera Ballet: nuances of the French ballet tradition

Bernice Lee

Contemporary Ballet: old steps, new journeys

Chan Sze Wei

William Forsythe won the heart of popular imagination

Bernice Lee

Theatre

Phantom of the Opera, a classic yet current Lloyd Webber musical – review

Joseph McWilliams

Yesterday it rained salt – review

Ezekiel Oliveira

Kinky Boots an uplifting camp extravaganza – review

Ezekiel Oliveira

The Lion King, a sense of heart-warming nostalgia like no other – review

Joseph McWilliams

“Forked”: Jeanette doesn’t do Asian

Ezekiel Oliveira

“Attempts: Singapore”: Curtains Don’t Match the Drapes

Ezekiel Oliveira