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Top Posts
Yesterday it rained salt – review
Forsythe season – Impressing the Czar and Blake...
Q&A (the 36 questions) Rachel Erdos and dancers...
Q&A (the 36 questions) with Rachel Erdos –...
T.H.E Second Company liTHE 2018 – review
Milieu 2018 – review, company strikes gold with...
Joy by Joshua Monten is a contagious laugh...
AH | HA – review, The single act...
Nederlands Dans Theatre 1 (NDT1) – review
xhe is layered like an onion – review

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  • About
    • Ezekiel Oliveira
    • Mission and Business
  • Dance Classes
    • 5L – Junior Dance (7+)
    • 5L Dance Company (13+)
    • Dance Lab (adults)
    • Creative Dance Residencies
    • Master Class
  • Curatorial
  • Choreographer’s spotlight
  • Contemporary Dance Singapore
    • Forsythe season – Impressing the Czar and Blake Works I

      Bernice Lee February 12, 2019
    • Q&A (the 36 questions) Rachel Erdos and dancers – review

      Ezekiel Oliveira January 29, 2019
    • T.H.E Second Company liTHE 2018 – review

      Bernice Lee November 20, 2018

Janis Claxton shattered the glass ceiling with...

OCD LOVE – a tainted picture of...

da:ns festival 2018 NDT1/Akram Khan Company/Rianto.

Sol León and Paul Lightfoot -‘it’s vital...

Contemporary Dance Singapore

T.H.E Second Company liTHE 2018 – review

Bernice Lee

Joy by Joshua Monten is a contagious laugh – review

Ezekiel Oliveira

Nederlands Dans Theatre 1 (NDT1) – review

Ezekiel Oliveira

xhe is layered like an onion – review

Bernice Lee

Until the Lions, sadness, joy, and admiration – review

Ezekiel Oliveira

Dancers’ Locker, Stanley/Nozaki/Kalbusch – review

Ezekiel Oliveira

Choreographer's spotlight

xhe by Daniel Kok ‘I’m not strictly interested in dance.’

Bernice Lee

Rianto – catapulted to the world stage

Ezekiel Oliveira

Sol León and Paul Lightfoot -‘it’s vital to have freedom’

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

10 questions with Benjamin Millepied

Ezekiel Oliveira

Choy Ka Fai saves the world from bad choreographers

Ezekiel Oliveira

Critical thinking

Q&A (the 36 questions) with Rachel Erdos – interview

Ezekiel Oliveira

Lisbeth Gruwez – interview

Bernice Lee

Echoes of an Epic: A Brief History of the Mahabharata

Bernice Lee

T.H.E Dance Company: Ten Years in Review

Stephanie Burridge

Ching-Ying Chien – Until the Lions

Ezekiel Oliveira

New York City Ballet to L.A. Dance Project – Janie Taylor

Ezekiel Oliveira

classical indian dance

Pallavi with Stillness seductive and intriguing – review

Ezekiel Oliveira

Nritya Tarang – Spirit of Kuchipudi Dance – review

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

Rasanubhava a sanguine quality – review

Bernice Lee

Rudram a dance homage to Shiva – review

Ezekiel Oliveira

Pallavi in Time a quintet of elegance – review

Ezekiel Oliveira

ballet

Forsythe season – Impressing the Czar and Blake Works I

Bernice Lee

L.A. Dance Project, Graham/Millepied/Peck-review

Ezekiel Oliveira

John Cranko’s Romeo and Juliet – review

Bernice Lee

Swan Lake – in the spirit of modern dance

Ezekiel Oliveira

Ballet Under The Stars – review

Bernice Lee

Ballet Under The Stars interview with Elaine Heng

Bernice Lee

Theatre

Yesterday it rained salt – review

Ezekiel Oliveira

Kinky Boots an uplifting camp extravaganza – review

Ezekiel Oliveira

The Lion King, a sense of heart-warming nostalgia like no other – review

Joseph McWilliams

“Forked”: Jeanette doesn’t do Asian

Ezekiel Oliveira

“Attempts: Singapore”: Curtains Don’t Match the Drapes

Ezekiel Oliveira

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Ezekiel Oliveira

Keep in touch

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Popular Posts

  • New York City Ballet to L.A. Dance Project – Janie Taylor

    August 31, 2017
  • Janis Claxton shattered the glass ceiling with POP-UP Duets (fragments of love)

    March 26, 2018
  • Rianto – catapulted to the world stage

    September 20, 2018
  • Pallavi in Time a quintet of elegance – review

    April 22, 2017
  • ‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

    May 17, 2018

Recent Posts

  • Forsythe season – Impressing the Czar and Blake Works I

    February 12, 2019
  • Q&A (the 36 questions) Rachel Erdos and dancers – review

    January 29, 2019
  • Q&A (the 36 questions) with Rachel Erdos – interview

    January 25, 2019
  • T.H.E Second Company liTHE 2018 – review

    November 20, 2018
  • Milieu 2018 – review, company strikes gold with unison

    November 13, 2018

Take the First Step into Contemporary Dance in Singapore

If you want to learn how to dance, it’s easy when you take the first step with FiveLines. The very core of FiveLines is encouraging artists, choreographers, experienced dancers and new beginners to collaborate and create for modern dance in Singapore.
Through reviews, classes and workshops, those with a fondness for this thrilling moving form of art can achieve the greatest heights in Singapore. With celebrated artists famous both in and out of Singapore, dancing becomes life here. Dance classes and performances that showcase the hard work of the students at FiveLines help prepare young dancers for achieving their dancing dreams.
Through FiveLines, dancing is accessible to everyone in Singapore. Young or old, whether you’ve danced before or never set foot on a dance floor or stage, at FiveLines, you’ll learn modern dance moves that will give you a renewed sense of poise, presence and performance. Ready to step into the world of dancing? Discover how Contemporary Dance Singapore can improve the quality of your life.
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