Ching-Ying Chien – Until the Lions
Ching-Ying Chien sounds reserved on the phone, but at the same time very excited to be working with Akram Khan Company (since…
Pallavi with Stillness – slow down and zoom in
Earth – the effect is visually stunning, review
SIDES 2018 soft, elegant and risky – review
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
I make my way to Esplanade rehearsal studio to meet choreographer and dancer Amrita Lahiri. Overlooking Marina Bay Sands we sit down…
10 questions with Benjamin Millepied
Rocío Molina ‘my work is intuitive’, interview
Choy Ka Fai saves the world from bad choreographers
New York City Ballet to L.A. Dance Project – Janie Taylor
“Benjamin told me a few times after I retired that if I wanted to dance with L.A. Dance Project, I could.” Our…
Raka Maitra discusses Pallavi in Time – I never look back
Kuik Swee Boon’s pleasure of a choreographic process
Luc Jacobs on shaping culture and Batsheva Dance Company
Emmanuèle Phuon discusses Brodal Serei at da:ns festival
Pallavi with Stillness seductive and intriguing – review
Choreographer Raka Maitra concludes beautifully a triple choreographic inquiry into the world of Odissi (classical Indian dance) with Pallavi with Stillness. Previously, Maitra…
Nritya Tarang – Spirit of Kuchipudi Dance – review
Rasanubhava a sanguine quality – review
Rudram a dance homage to Shiva – review
L.A. Dance Project, Graham/Millepied/Peck-review
Benjamin Millepied kicks off the evening with a homage to the late choreographer, Martha Graham. His company, L.A. Dance Project present three…
John Cranko’s Romeo and Juliet – review
Swan Lake – in the spirit of modern dance
Ballet Under The Stars – review
Giselle beyond perfection and emotion – Review
The Lion King, a sense of heart-warming nostalgia like no other – review
“Does the Lion King really need another review?” asks a colleague in the office. As I enter a packed Sands Theatre on…
“Forked”: Jeanette doesn’t do Asian
“Attempts: Singapore”: Curtains Don’t Match the Drapes
“The Neighbor’s Grief is Greener”: A Dark Domesticity
Skin Tight, I left the Theatre unsure of myself – Review
Dance lessons | registration is now open
Dance lessons are finally open for registration. We are thrilled to start term 1 of dance lessons at The Substation, preparing young…