Top Posts

Janis Claxton shattered the glass ceiling with...

OCD LOVE – a tainted picture of...

da:ns festival 2018 NDT1/Akram Khan Company/Rianto.

Sol León and Paul Lightfoot -‘it’s vital...

Contemporary Dance Singapore

Joy by Joshua Monten is a contagious laugh – review

Ezekiel Oliveira

xhe is layered like an onion – review

Bernice Lee

Until the Lions, sadness, joy, and admiration – review

Ezekiel Oliveira

Rianto – catapulted to the world stage

Ezekiel Oliveira

Choreographer's spotlight

Sol León and Paul Lightfoot -‘it’s vital to have freedom’

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

10 questions with Benjamin Millepied

Ezekiel Oliveira

Rocío Molina ‘my work is intuitive’, interview

Ezekiel Oliveira

Critical thinking

Lisbeth Gruwez – interview

Bernice Lee

Echoes of an Epic: A Brief History of the Mahabharata

Bernice Lee

T.H.E Dance Company: Ten Years in Review

Stephanie Burridge

Ching-Ying Chien – Until the Lions

Ezekiel Oliveira

classical indian dance

Pallavi with Stillness seductive and intriguing – review

Ezekiel Oliveira

Nritya Tarang – Spirit of Kuchipudi Dance – review

Ezekiel Oliveira

‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri

Ezekiel Oliveira

Rasanubhava a sanguine quality – review

Bernice Lee

ballet

L.A. Dance Project, Graham/Millepied/Peck-review

Ezekiel Oliveira

John Cranko’s Romeo and Juliet – review

Bernice Lee

Swan Lake – in the spirit of modern dance

Ezekiel Oliveira

Ballet Under The Stars – review

Bernice Lee

Theatre

Kinky Boots an uplifting camp extravaganza – review

Ezekiel Oliveira

The Lion King, a sense of heart-warming nostalgia like no other – review

Joseph McWilliams

“Forked”: Jeanette doesn’t do Asian

Ezekiel Oliveira

“Attempts: Singapore”: Curtains Don’t Match the Drapes

Ezekiel Oliveira