About
Ezekiel Oliveira
Mission and Business
Dance Classes
5L – Junior Dance (7+)
5L Dance Company (13+)
Dance Lab (adults)
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
Top Posts
Yesterday it rained salt – review
Forsythe season – Impressing the Czar and Blake...
Q&A (the 36 questions) Rachel Erdos and dancers...
Q&A (the 36 questions) with Rachel Erdos –...
T.H.E Second Company liTHE 2018 – review
Milieu 2018 – review, company strikes gold with...
Joy by Joshua Monten is a contagious laugh...
AH | HA – review, The single act...
Nederlands Dans Theatre 1 (NDT1) – review
xhe is layered like an onion – review
About
Ezekiel Oliveira
Mission and Business
Dance Classes
5L – Junior Dance (7+)
5L Dance Company (13+)
Dance Lab (adults)
Creative Dance Residencies
Master Class
Curatorial
Choreographer’s spotlight
Contemporary Dance Singapore
Forsythe season – Impressing the Czar and Blake Works I
Bernice Lee
February 12, 2019
Q&A (the 36 questions) Rachel Erdos and dancers – review
Ezekiel Oliveira
January 29, 2019
T.H.E Second Company liTHE 2018 – review
Bernice Lee
November 20, 2018
Janis Claxton shattered the glass ceiling with...
OCD LOVE – a tainted picture of...
da:ns festival 2018 NDT1/Akram Khan Company/Rianto.
Sol León and Paul Lightfoot -‘it’s vital...
Contemporary Dance Singapore
T.H.E Second Company liTHE 2018 – review
Bernice Lee
Joy by Joshua Monten is a contagious laugh – review
Ezekiel Oliveira
Nederlands Dans Theatre 1 (NDT1) – review
Ezekiel Oliveira
xhe is layered like an onion – review
Bernice Lee
Until the Lions, sadness, joy, and admiration – review
Ezekiel Oliveira
Dancers’ Locker, Stanley/Nozaki/Kalbusch – review
Ezekiel Oliveira
Choreographer's spotlight
xhe by Daniel Kok ‘I’m not strictly interested in dance.’
Bernice Lee
Rianto – catapulted to the world stage
Ezekiel Oliveira
Sol León and Paul Lightfoot -‘it’s vital to have freedom’
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
10 questions with Benjamin Millepied
Ezekiel Oliveira
Choy Ka Fai saves the world from bad choreographers
Ezekiel Oliveira
Critical thinking
Q&A (the 36 questions) with Rachel Erdos – interview
Ezekiel Oliveira
Lisbeth Gruwez – interview
Bernice Lee
Echoes of an Epic: A Brief History of the Mahabharata
Bernice Lee
T.H.E Dance Company: Ten Years in Review
Stephanie Burridge
Ching-Ying Chien – Until the Lions
Ezekiel Oliveira
New York City Ballet to L.A. Dance Project – Janie Taylor
Ezekiel Oliveira
classical indian dance
Pallavi with Stillness seductive and intriguing – review
Ezekiel Oliveira
Nritya Tarang – Spirit of Kuchipudi Dance – review
Ezekiel Oliveira
‘If you don’t love India, I don’t think you can love Indian classical dance’ – Amrita Lahiri
Ezekiel Oliveira
Rasanubhava a sanguine quality – review
Bernice Lee
Rudram a dance homage to Shiva – review
Ezekiel Oliveira
Pallavi in Time a quintet of elegance – review
Ezekiel Oliveira
ballet
Forsythe season – Impressing the Czar and Blake Works I
Bernice Lee
L.A. Dance Project, Graham/Millepied/Peck-review
Ezekiel Oliveira
John Cranko’s Romeo and Juliet – review
Bernice Lee
Swan Lake – in the spirit of modern dance
Ezekiel Oliveira
Ballet Under The Stars – review
Bernice Lee
Ballet Under The Stars interview with Elaine Heng
Bernice Lee
Theatre
Yesterday it rained salt – review
Ezekiel Oliveira
Kinky Boots an uplifting camp extravaganza – review
Ezekiel Oliveira
The Lion King, a sense of heart-warming nostalgia like no other – review
Joseph McWilliams
“Forked”: Jeanette doesn’t do Asian
Ezekiel Oliveira
“Attempts: Singapore”: Curtains Don’t Match the Drapes
Ezekiel Oliveira
“The Neighbor’s Grief is Greener”: A Dark Domesticity
Ezekiel Oliveira